In films, close-ups are termed as -

Concept

Film language communicates through visual choices such as framing, shot scale, composition, and camera angle.

A close-up is a shot-scale choice that fills much of the frame with a face, object, or detail to focus attention and convey meaning or emotion.

Application

Because a close-up works through what is shown and how it is framed, it belongs to the visual framework of film-making. Thus, among the given terms, it is described as a visual paradigm.

Contrast

• Pro-active paradigms concern anticipatory action taken before an expected event; that is an action-orientation idea.

• Static paradigms emphasize a fixed or unchanging state; that is a state-based idea.

• Altered paradigms emphasize a framework changed from an earlier form; that is a change-based idea.

Cross-check

Framing, shot scale, composition, and camera angle all organize what the viewer sees. A close-up is defined by this same visual organization, so the classification is consistent.

Result

Therefore, the term is Visual paradigms.